Authors : Amara Kaewbutsa, Niyom Wongphongkham and Mongkon Donkhwa
Abstract: This research aims to study the history of Lao silverware, to study the changes of silverware in Vientiane Capital. Research methodology consists of descriptive research to analyze the changes of silverware in Vientiane Capital. The researcher collected the documents and field from the study area of silverware manufacturers in Vientiane Capital Champalanxang Shop, Fa Watthana Shop, Phaiwan Handicraft Shop and Achan Uding Silversmith. Study plans consist of interviews by in-depth interviews and sub-group discussions with 4 silverware craftsmen, observation using both participant and non-participant observation, analyze the data on the change of silverware in Vientiane Capital, using the theory of cultural diffusion, theory of aesthetics in arts and crafts and the concept of inventing related traditions. The research found that Lao silverware began in the reign of King Fa Ngum where the silver artisans were taken from the town of Khmer to Luang Prabang. In the old time, the silverware was a privilege held by kings and the royal family as well as noblemen. Lao silverware is influenced by Khmer art (Cambodia), China, Lanna, Sukhothai (Thailand) and Bagan (Myanmar). For the changes of silverware in Vientiane, it is found that from the past until 2015, Khan (pedestal tray) and Or (bowl) are the most utensils for daily use attached to the way of life of the Lao people. The shape and pattern have been changed due to the economy and the country administration structures.
Amara Kaewbutsa, Niyom Wongphongkham and Mongkon Donkhwa, 2019. The Changes of Lao Silverware in Vientiane. Journal of Engineering and Applied Sciences, 14: 812-822.