Journal of Engineering and Applied Sciences

Year: 2018
Volume: 13
Issue: 11
Page No. 3671 - 3676

Curbing Digital Music Piracy Through on-Demand Streaming Music Service

Authors : Rabiah Adawiah Abu Seman and Nadya Yusrina Putri

References

Akatwijuka, M.H. and T. Regner, 2004. Digital technology and the allocation of ownership in the music industry. Master Thesis, CMPO University of Bristol, Bristol, England.

Amoroso, D. and Y. Guo, 2006. An analysis of the acceptance of file sharing technologies by music consumers. Proceedings of the 39th IEEE Annual Hawaii International Conference on System Sciences (HICSS’06), January 4-7, 2006, IEEE, New York, USA., ISBN:0-7695-2507-5, pp: 115b-115b.

BBC., 2012. Mega upload file-sharing site shut down. BBC., London, England. http://www.bbc.com/news/technology-16642369

Balestrino, A., 2008. It is a theft but not a crime. Eur. J. Political Econ., 24: 455-469.
Direct Link  |  

Becker, J. and M. Clenet, 2006. Dynamics of illegal participation in peer-to-peer networks-why do people illegally share media files?. J. Media Econ., 19: 7-32.
Direct Link  |  

Bender, M. and Y. Wang, 2009. The impact of digital piracy on music sales: A cross-country analysis. Intl. Social Sci. Rev., 84: 157-170.
Direct Link  |  

Borja, K., S. Dieringer and J. Daw, 2015. The effect of music streaming services on music piracy among college students. Comput. Hum. Behav., 45: 69-76.
Direct Link  |  

Delikan, M., 2010. Changing consumption behavior of net generation and the adoption of streaming music services. Master Thesis, Jonkoping University, Jonkoping, Sweden.

Elberse, A., 2010. Bye-Bye bundles: The unbundling of music in digital channels. J. Marketing, 74: 107-123.
Direct Link  |  

Gamal, A.E., 2012. The evolution of the music industry in the post-internet Era. Master Thesis, Claremont McKenna College, Claremont, California.

Giletti, T., 2012. Why pay if it’s free? Streaming, downloading and digital music consumptionin the iTunes Era. MSc Thesis, London School of Economics and Political Science, London, England.

Goldschmied, J., 2008. A battle royal: Digital music piracy v. the music industry, An assessment of Australian copyright law. Ph.D Thesis, Bond University, Queensland, Australia.

Gopal, R., G. Sanders, S. Bhattacharjee, M. Agrawal and S. Wagner, 2004. A behavioural model of digital music piracy. J. Organizational Comput. Electron. Commerce, 14: 89-105.
Direct Link  |  

Higgins, G., S. Wolfie and C. Marcum, 2008. Digital piracy: An examination of three measurements of self-control. Deviant Behav., 29: 440-460.
Direct Link  |  

Hiramatsu, A., T. Yamasaki and K. Nose, 2009. An Empirical Study of an Extended Technology Acceptance Model for Online Video Services. In: Artificial Neural Networks, Sigeru, O., P.R. Miguel, J. Bravo, F. Florentino and C. Emilio et al. (Eds.). Springer, Berlin, Germany, ISBN:978-3-642-02480-1, pp: 416-423.

Hui, K. and I. Png, 2003. Piracy and the legitimate demand for recorded music. Contrib. Econ. Anal. Policy, Vol. 2,

IFPI., 2012. International legal framework. International Federation of the Phonographic Industry, London, England. http://www.ifpi.gr/intlegal_en.html

IIA., 2015. The internet of things: Opportunities and applications across industries. Master Thesis, International Institute for Analytics, New York, USA.

IIPA., 2011. Malaysia: Special 301 report on copyright protection and enforcement. International Intellectual property Alliance (IIPA), Malaysia.

Leyshon, A., P. Webb, S. French, N. Thrift and L. Crewe, 2005. On the reproduction of the musical economy after the internet. Media Culture Soc. J., 27: 177-209.
Direct Link  |  

Leyshon, A., P. Webb, S. French, N. Thrift and L. Crewe, 2005. On the reproduction of the musical economy after the internet. Media Culture Soc. J., 27: 177-209.
Direct Link  |  

Liebowitz, S., 2008. Research note-testing file sharing’s impact on music album sales in cities. Manage. Sci., 54: 852-859.
Direct Link  |  

Malhotra, Y. and D.F. Galleta, 1999. Extending the technology acceptance model to account for social influence: Theoretical bases and empirical validation. Proceedings of the 32nd Annual Hawaii International Conference on System Sciences, January 5-8, 1999, Maui, HI., USA -.

Malin, J. and B.J. Fowers, 2008. Adolescent self-control and music and movie piracy. Comput. Hum. Behav., 25: 718-722.

Mastura, J., T. Ramayah and W.T. Tee, 2008. The intention to use pirated software: A study of undergraduate students in a public institution of higher learning in Malaysia. Problems Perspect. Manage., 6: 4-12.

McDonnel, P., 2016. 5 Q’s for Shiva Rajaraman, vice president of product at Spotify. Center for Data Innovation, New York, USA. https://www.datainnovation.org/2016/02/5-qs-for-shiva-rajaraman-vice-president-of-product-at-spotify/

Nguyen, G., F. Moreau and S. Dejean, 2013. On the complementarity between online and offline music consumption: The case of free streaming. J. Cult. Econ., 38: 315-330.
CrossRef  |  Direct Link  |  

Pagliery, J., 2016. Kickass torrents’ huge file sharing site shut down by feds. CNN, Atlanta, Georgia. http://money.cnn.com/2016/07/21/technology/kickass-torrent/

Rob, R. and J. Waldfogel, 2006. Piracy on the high C’s: Music downloading, sales displacement and social welfare in a sample of college students. J. Law Econ., 49: 29-62.
CrossRef  |  Direct Link  |  

Shanahan, K. and M. Hyman, 2010. Motivators and enablers of scouring: A study of online piracy in the US and UK. J. Bus. Res., 63: 1095-1102.
Direct Link  |  

Sutherland, E. and D. Cressey, 2003. A Sociological Theory of Criminal Behavior. In: Crime: Critical Concepts in Sociology, Bean, P. (Ed.). Taylors & Francis, London, England, ISBN:9780415252676, pp: 426-432.

Swanson, K., 2013. A case study on Spotify: Exploring perceptions of the music streaming service. MEIEA. J., 13: 207-231.
Direct Link  |  

Van der Heijden, H., 2004. User acceptance of hedonic information systems. MIS Q., 28: 695-704.
Direct Link  |  

Veitch, R. and J. Constantiou, 2011. Digital product acquisition in the context of piracy: A proposed model and preliminary findings. Proceedings of the Conference on Pacific Asia Information Systems (CPAIS 2011), July 7-11, 2011, AIS Electronic Library, Atlanta, Georgia, ISBN:978-1-86435-644-1, pp: 1-12.

Venkatesh, V. and F.D. Davis, 2000. A theoretical extension of the technology acceptance model: Four longitudinal field studies. Manage. Sci., 46: 186-204.
CrossRef  |  Direct Link  |  

Walfdogel, J., 2010. Music file sharing and sales displacement in the iTunes era. Inf. Econ. Policy, 22: 306-314.
Direct Link  |  

Wiegandt, D.V., 2013. Spotify: Incentivizing album creation through the Facebook of music. Berkeley J. Entertainment Sports Law, 2: 180-199.
Direct Link  |  

Zentner, A., 2006. Measuring the effect of music downloads on music purchases. J. Law Econ., 49: 63-90.

Design and power by Medwell Web Development Team. © Medwell Publishing 2024 All Rights Reserved