The Social Sciences

Year: 2018
Volume: 13
Issue: 7
Page No. 1206 - 1217

The Role of Photography in Conceptual Art in Iranian Artist

Authors : DianatFereshteh

References

Azarang, F., 2005. The Book of Amnesia. Nazar Art, Tehran, Iran,.

Barthes, R., 1993. Camera Lucida: Reflections on Photography. Vintage Publishers, London, England,.

Danesh, P. and A. November, 2001. Contemporary Art Museum Archive. Hamshahri Newspaper, Tehran, Iran,.

Foucault, M., 1969. What is an author?. Bull. French Soc. Philos., 63: 73-104.

Hurn, D. and B. Jay, 2001. On Being a Photographer: A Practical Guide. 3rd Edn., Lens Work Publishing, Anacortes, Washington,.

Lemagny, J.C. and A. Rouille, 1987. A History of Photography: Social and Cultural Perspectives. Cambridge University Press, Cambridge, UK.,.

Locie, S.E., 1995. Movements in Art Science 1945: Issues and Concepts (World of Art). Thames & Hudson Publishing Company, London, England,.

Marzona, D., 2005. Conceptual Art (Basic Art). Taschen Publishing Company, Germany,.

Mille, T.C., 2006. Contemporary Art in France. Groupe Flammarion, France,.

Ramin, A., 2008. Sociological Foundations of Art. Nashreney, Tehran, Iran,.

Sontag, S., 2010. On Photography. University Press, Iowa, USA., pp: 113-138.

Vergine, L., 2002. Art on the Cutting Edge: A Guide to Contemporary Movements. Skira Publisher, Milan, Italy,.

Wood, P., 2002. Conceptual Art. Tate Publications, London, UK.,.

Design and power by Medwell Web Development Team. © Medwell Publishing 2024 All Rights Reserved