Journal of Engineering and Applied Sciences

Year: 2020
Volume: 15
Issue: 3
Page No. 838 - 846

A Comparative Study on Performing Identity of Khon Ramayana Dance and Fon Phra Rak Phra Ram

Authors : Thanyaluk Moonsuwan, Burin Plengdeesakul and Pattamawadee Chansuwan

References

Aemsaart, Y., 2016. Transnational literature from ramayana to Ramakien towards Phralak-Phralam. Ph.D. Thesis, Srinakharinwirot University, Bangkok, Thailand.

Hongsuwan, P., 2013. Artificial traditions in the Northeast community of Mekong: Complete report for research project. Master Thesis, Mahasarakham University, Talat, Thailand.

Jongda, S., 2013. Fine arts in Khon drama the Atrical costumes. Ph.D. Thesis, Mahasarakham University, Talat, Thailand.

Klinchan, T., 2016. Principles of performing lead male roles in Thai dance drama. Ph.D Thesis, Mahasarakham University, Talat, Thailand.

Lertlam, P., 2015. Phralak-Phralam: The Lao dance form of Luang Prabang. Ph.D Thesis, KhonKaen University, Khon Kaen, Thailand.

Nathalang, S.T., 1987. Local Stories and Plays: Folklore Studies in Thai Social Context. Matichon Publishing Group, Chatuchak, Bangkok,.

Pantasri, P., 2011. Survival and transformation of mahori in Khmer society. Ph.D Thesis, Mahasarakham University, Talat, Thailand.

Phikunsri, C., 2008. Original Lao music. Master Thesis, Center for Research on Plurality in the Mekong Region, Khon Kaen University, Khon Kaen, Thailand.

Tepwong, S., 2005. Thai Classical Dance: Dramatic Art for Elementary and Higher Education Teachers. Odean Store Publisher, Bankok, Thailand,.

Design and power by Medwell Web Development Team. © Medwell Publishing 2024 All Rights Reserved